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Women In Horror Month 2022 - Pixel Art Edition

I recently played through RIVER CITY GIRLS, and was so impressed by the quality of the pixel art that I fancied having a tilt at something similar. Meanwhile, February is Women In Horror Month, so why not mash the two together,

Henrietta from EVIL DEAD II (1987). This was 100% my favourite film as a teenager, just 'cos it's pure nonstop lunacy. The camerawork, sound design and general filmmaking inventiveness = still fantastic

Henrietta from EVIL DEAD II (1987). This was 100% my favourite film as a teenager, just 'cos it's pure nonstop lunacy. The camerawork, sound design and general filmmaking inventiveness = still fantastic

Eihi Shiina in AUDITION (1999). I was lucky enough to see this in the cinema when it came out, and the unsuspecting audience were climbing the walls when *that* shift in tone happened :D

Eihi Shiina in AUDITION (1999). I was lucky enough to see this in the cinema when it came out, and the unsuspecting audience were climbing the walls when *that* shift in tone happened :D

Sissy Spacek in CARRIE (1976). If you're in a Brian De Palma film and things suddenly go splitscreen, start running

Sissy Spacek in CARRIE (1976). If you're in a Brian De Palma film and things suddenly go splitscreen, start running

Geretta Geretta in DEMONS (1985). An 'objectively bad, subjectively  g r e a t'  film for me. I'm a big fan of the score and how unusual and way out it is. "Ah, we just need generic spooky horror music I suppose" "I was thinking about *THIS*"

Geretta Geretta in DEMONS (1985). An 'objectively bad, subjectively g r e a t' film for me. I'm a big fan of the score and how unusual and way out it is. "Ah, we just need generic spooky horror music I suppose" "I was thinking about *THIS*"

Process

Process

Their big-screen counterparts

Their big-screen counterparts

Tell me this isn't a banger. You can't